A Feminist Review

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So Fucking Beautiful

In 1991, a fat teenaged girl with a prosthetic leg named Nomy Lamm wrote and distributed a xeroxed-and-stapled, passport-sized zine called i’m so fucking beautiful. Part manifesto, part personal essay, it offered a nuanced critique of Fat Is a Feminist Issue, the 1978 self-help best-seller that theorized the psychological and political context around women and eating. That book’s glamorous British author, Susie Orbach, the co-founder of the Women’s Therapy Centre, was therapist to none other

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Revlon

Certainly not the Angel Red I might try, Fire and Ice was my mother’s one and only, flaming her lips and smooching my father’s. Faithful to her favorite shade, she lived her creed of right and wrong. She did not convert to a miniskirt or wear pants, except for hiking, and never applied pink by any name. The click when she capped the sleek cylinder was as distinct as the tap, tap of high heels

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‘Tachycardia,’ ‘Tachycardia: Reprise’,’ A Woman’, ‘Ritual in Plague Time’, ‘The Dreaming Woman/The Daughter’

Tachycardia Tachycardia all day yesterday faint 8 a.m. by evening a fast thud-thud insistent as if someone is trying to tell me something in a language I don’t know the sign language of a being that expresses itself in beats and is becoming impatient with my ignorance we used to understand each other perfectly or so I thought I thought we were like sisters

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[Yes, I saw them all, saw them, met some, Richard Hell]

Yes, I saw them all, saw them, met some, Richard Hell, Lou Reed, Basquiat, Warhol, Burroughs, Kenneth Koch, and it all left me feeling invisible or fucked, fucked sideways, fucked by a john who stiffs you on your fee and doesn’t leave a tip, it wasn . . . Subscribers Only Keep reading this article This article is available in full to LIBER subscribers — or buy it on its own as a PDF. Subscribe

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‘Dead at Last’, ‘Nirvana’, and ‘Phone Call’

Dead at Last Dead at last!  Dead at last! Now I can see the world as it is floating indifferent like the gull from the hospital window white with black wingtips feeling the currents of air guiding its flight.  Perfectly free from compassion for me. Nirvana I can’t find the can opener and then I do. The electrician shows me my name on his forearm “Linda” in pink magic marker which is how he remembers

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‘From The Museum of Mary’

The Announcement A bird came to see me once, a talking magpie that said, This will happen— and I didn’t so much agree as think, why me? It was arbitrary, as far as I could see. Ordinary—being at hand and being asked to do whatever needs doing. Steadfast as a tattoo that can’t be washed off. A castle that isn’t mine reminds me that this was not my idea, especially considering how inevitable death is,

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Two Poems by Aline Mello

Family Keepsake My grandmother wanted to die but in the online form, I say no, no family member has died by or attempted suicide  because  having children, no matter the goal,  is still giving life. Because that’s what blood is. The psychiatrist asked if she’d tried to kill herself before.

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Five Poems by Molly Peacock

What a pleasure to introduce five poems by the prolific and brilliant Molly Peacock, queen of rhyme and meter, who has done so much to bring contemporary freshness and zing and a sometimes-startling intimacy to formal poetry. In this grouping, Peacock writes about the death of her husband, Joyce scholar Michael Groden, about the strains of caring for a sick and dying person, no matter how beloved, and about the beginning of a new life

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How Joyous We Once Were

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