Issue 1.4

‘Tachycardia,’ ‘Tachycardia: Reprise’,’ A Woman’, ‘Ritual in Plague Time’, ‘The Dreaming Woman/The Daughter’

Tachycardia Tachycardia all day yesterday faint 8 a.m. by evening a fast thud-thud insistent as if someone is trying to tell me something in a language I donā€™t know the sign language of a being that expresses itself in beats and is becoming impatient with my ignorance we used to understand each other perfectly or so I thought I thought we were like sisters

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‘Different: Gender Through the Eyes of a Primatologist’ by Frans de Waal

  W. W. NORTON, APRIL 2022, 409 PP. SEXUAL ESSENTIALISMā€”the idea that men and women differ from each other in various innate and permanent waysā€”has rarely been a friend to feminists. Charles Darwin thought the rules of inheritance would prevent women from ever becoming the intellectual equals of men. E. O. Wilson, in his 1975 landmark Sociobiology: The New Synthesis, cited the sex division of hunter-gatherers as evidence for womenā€™s natural inclination for homemaking. In

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‘Faltas: Letters to Everyone in My Hometown Who Isnā€™t My Rapist’ by Cecilia Gentili

  LITTLEPUSS PRESS, OCTOBER 2022, 208 PP. TRANS WOMEN MOTHER each other when nobody else will. Cecilia Gentili is a legend among New York trans women; there must be hundreds for whom she is ā€œmom.ā€ Itā€™s a hard role to play for trans women whose relationship to their own mothers is fraught. As Gentili says of hers, ā€œI saw in your eyes so many times the wish that I was not your child.ā€ While mom

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‘Ducks: Two Years in the Oil Sands’ by Kate Beaton

DRAWN & QUARTERLY, SEPTEMBER 2022, 436 PP. YEARS AGO, MY parents gave me Step Aside, Pops by Kate Beaton for Christmas. It was a collection of short, witty comics about literature, history, and feminism, a follow-up to the best-selling 2011 collection Hark! A Vagrant, which began as a webcomic Beaton created while studying history and anthropology in college. I obsessed over Step Aside, Pops for the rest of my adolescence. I read it late at

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‘Red Valkyries: Feminist Lessons from Five Revolutionary Women’ by Kristen Ghodsee

  VERSO, JULY 2022, 224 PP. THE FIRST THING to like about Kristen Ghodseeā€™s Red Valkyries is how it disentangles liberal feminism from socialist feminism in easy language. Capitalism sits well with the former, she writes, because promoting women into executive positions may save their employers money (as women are generally paid less than men). The expansion of social services, on the other hand, costs money, and that means raising taxes or promoting more radical

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‘The Rising of the Women: Feminist Solidarity and Class Conflict, 1880ā€“1917’ by Meredith Tax

  VERSO, APRIL 2022, 368 PP. Bread and roses loom large in activist and author Meredith Taxā€™s biography. She cofounded the early womenā€™s liberation group of that name in l969, going on to cofound CARASA (Committee for Abortion Rights and Against Sterilization Abuse) in 1977, chair PEN American Centerā€™s Womenā€™s Committee in 1986, and spend the last thirty years fighting gender-based censorship and the rise of fundamentalism, among other radical acts. Tax recounts her own

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‘Our Voice of Fire: A Memoir of a Warrior Rising’ by Brandi Morin

  HOUSE OF ANANSI PRESS, AUGUST 2022, 224 PP. FOR DECADES, THE movement to address the crisis of missing and murdered Indigenous women and girls (MMIWG) in North America has used a range of strategies to show non-Native people what Native people have known for hundreds of years: Indigenous women and girls, as well as queer, trans, and Two-Spirit people, are disproportionately victims of violence and homicide. Activists have employed a wide range of strategiesā€”social

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‘Freedom Dreams: The Black Radical Imagination’,(Revised Edition) by Robin D.G. Kelley, Foreword by Aja Monet

BEACON PRESS, AUGUST 2022, 336 PP. IN THE ORIGINAL epilogue of Freedom Dreams: The Black Radical Imagination, Robin D.G. Kelley writes, But now is the time to think like poets, to envision and make visible a new society, a peaceful, cooperative, loving world without poverty and oppression, limited only by our imaginations. This passage was a universal favorite at the University of Louisvilleā€™s Anne Braden Institute for Social Justice Research (ABI), where staff like me

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‘Craft and Conscience: How to Write About Social Issues’ by Kavita Das

  BEACON PRESS, OCTOBER 2022, 344 PP. In the second year of my fiction MFA, just after quarantine lifted, I was sitting in the park with a few of my classmates. We were reacclimating to each other, and all the conversation felt like it was on stilts, ready to tip over into topics we might have avoided in mixed company a year ago: death, race. A classmate (white, male) squinted into the sun and complained

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‘Louise Bourgeois: Paintings’ at the Metropolitan Museum of Art, 2022

  Louise Bourgeois, Fallen Woman (Femme Maison), 1946-47. Private collection, New York. Louise Bourgeois, Femme-Maison, 1946-47. Private collection, New York. I DIDNā€™T KNOW a painting could make me feel as if I were falling. It happened for the first time when I saw an untitled 1948 painting by Louise Bourgeois in the current exhibit of her work at the Metropolitan Museum of Art. A vivisection of a seven-story apartment building, it suggests both an internal

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